Time	Annotation	Layer
1:16	First descriptions of the last archive include a corridor of the mind, shelves stuffed with proof	Content
1:59	Lepore is describing the archive as if it is a physical space - items are cluttered, and some roll away under the shelf so she has to bend to pick them up	Content
2:28	Primary goal: to uncover how we know what we know	Content
3:26	Very vivid descriptions - Lucina's body is described as laying "pale and animal" against the grass	Content
3:31	Lucina described as a kill, something hunted, a fox in a trap, a fish on a hook, a bird on a spit	Content
4:34	Pointing to the stereotypes of so many murder mysteries	Content
5:26	Using Lucina's case and other examples to ask the question "Who killed truth?"	Content
6:60	Lepore describes the visceral physical reaction she has to discovering the photo of Lucina's corpse	Content
7:28	Lepore is intent on describing Lucina as a silenced woman - she wants to make Lucina "speak"	Content
9:10	Lepore imagines the way a reporter would have sounded - she instills her own understandings/perspective into the "investigation"	Content
10:21	Lepore notes that the style of reporting used in the local newspaper resembles true crime fads of the time	Content
12:01	"Historians are coroners too" - Lepore compares her investigation to an autopsy	Content
13:59	Odd insistence of the poetry surrounding a "bill of mortality" - is Lepore doing the same type of romanticizing that she somewhat criticizes in true crime content?	Content
18:04	Labeling a clue as a type of fact - are they always the same?	Content
21:09	Assurance that we know something was said if it was written in the historical document - does this leave room for human error in recording what was said?	Content
21:39	Why does Lepore choose to re-enact something that we don't technically have firsthand knowledge of (i.e., the letter)?	Content
31:44	The assumption that the trial transcripts would be buried deep in the Vermont State Archives - upholding the idea of archives as buried treasure	Content
33:50	The state archivist discusses the moment of discovery when you unearth something lost	Content
36:08	Lepore making an observation about what could be printed - details of the murder were not obscene, but details about birth control were	Content
38:30	Archivist describing Barre as being weighted with history	Content
40:06	Poignant moment where Lepore visits the site where Lucina's corpse was discovered	Content
40:24	Lepore discusses the fact that, for a long time, only men could serve on juries - only men could decide matters of fact	Content
41:20	Women in Vermont were not allowed to jurors until 1943	Content
41:31	Lepore discusses Maude Wood Park - "like me, she couldn't stand the thought of silenced women"	Content
42:17	Lepore repeatedly describes Lucina's corpse as "animal"	Content
3:13	Harold Jackson discovers body, gasps, and runs to inform a policeman	Reenactments
4:22	Crowd of people gathered around the dead body; prolonged scream	Reenactments
9:28	Reporter's voice reading aloud what he is typing down about the case; note that Lepore is stating that this is how she imagines reporters talked	Reenactments
13:06	A man's voice dramatically reading the options provided on a bill of mortality	Reenactments
13:60	Medical examiner reading out options from cause of death list; reading in a much more monotone voice	Reenactments
14:14	Dramatic voice returns for what Lepore would have chosen from the bill of mortality	Reenactments
14:21	Monotone voice of medical examiner returns for Lucina's listed cause of death	Reenactments
15:31	Introduction of James R. Wood, the outside detective hired to investigate Lucina's case	Reenactments
16:42	Lepore first mentions James R. Wood's detective notebook; most of what his re-enacted voice says comes from the notebook itself	Reenactments
18:54	James R. Wood's voice recounting some of the clues he wrote down in his notebook	Reenactments
19:54	Any time Lepore wants to recall something from James R. Wood's notebook, "his" voice is used	Reenactments
20:57	Lucina Broadwell's "voice" used to read out a portion of a letter that she wrote to Grace Grimes	Reenactments
24:36	Re-creation of moments from James Wood's interrogation of George Long	Reenactments
27:09	Recreation of moments from George Long's trial; specifically, George long being questioned and giving testimony	Reenactments
27:26	The court calls James Wood to the stand to testify about his interrogation of Long	Reenactments
28:23	James Wood is questioned by Long's lawyer about keeping Long for a four-day interrogation at the Barre Hotel	Reenactments
30:01	Jury reading out their verdict	Reenactments
34:48	Recreation of a portion of the interrogation between James Wood and George Long that could not be printed because it involves the use of birth control	Reenactments
1:20	Faint sount of light footsteps in the background; sense that Lepore is walking somewhere	Sound Effects
2:04	Footsteps are not only faint, but are creaking	Sound Effects
2:34	Sound of a door opening as Lepore introduces 'the last archive'	Sound Effects
6:29	Very faint sound of thunder in background?	Sound Effects
6:49	Sound of camera flashbulb going off	Sound Effects
10:31	Clacking typewriter keys	Sound Effects
10:47	Rhythmic ticking sound - very likely the ticking of a clock	Sound Effects
11:19	Hooves clopping	Sound Effects
15:26	Phone ringing	Sound Effects
16:23	Sounds of a train chugging	Sound Effects
23:57	Sounds of footsteps in hotel room	Sound Effects
24:56	Sounds of shuffling paper	Sound Effects
25:22	Continued use of creaking foostep sounds	Sound Effects
26:21	Very faint sounds of a crowded room?	Sound Effects
26:32	Sounds of typewriters clacking and a gavel hitting	Sound Effects
30:06	Gavel banging and sounds of murmured surprise from crowd	Sound Effects
31:37	Clacking typewriter	Sound Effects
31:58	Background sounds of driving to the Vermont State Archives	Sound Effects
32:55	Creaking doors and shuffling - but unlike other sound effects, these are left-in background noises from Lepore's actual visit to the state archives	Sound Effects